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This idea evolved over 5 or so years. It began with this thumbnail, then the two animals changed places, with the smaller animal moving to the rear. In the end, I came back to basically this initial idea. Thumbnails of these ideas can be seen by clicking on the illustration at left. The major change from here to the full-sized sketch is that the giraffe's neck is bowed to fill up the L in the sketch.

Click on any illustration for an enlargement.
Sketchbook drawing using full-sized letter outline. I almost always start full-sized sketches with a blue pencil to get a good start, then go over that with a regular graphite pencil. Not this time. It went well enough that I felt I didn't need to go over it with another pencil.
The final drawing. Not much different from the sketch, other than the giraffe now has an expression on its face. The sketch giraffe was too angelic, too bland.
Here the application of water-based dyes serves as the underpainting for the colored pencils.

The colored pencil stage...where most of the work is done.
During this final stage of painting with acrylics, I added the whites and yellow-whites to help define forms and to punch up the highlights.
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