This idea evolved over 5 or so years.
It began with this thumbnail, then the two animals changed places,
with the smaller animal moving to the rear. In the end, I came back
to basically this initial idea. Thumbnails of these ideas can be seen
by clicking on the illustration at left. The major change from here
to the full-sized sketch is that the giraffe's neck is bowed to fill
up the L in the sketch.
Click
on any illustration for an enlargement.
Sketchbook
drawing using full-sized letter outline.
I almost always start full-sized sketches with a blue pencil to get
a good start, then go over that with a regular graphite pencil. Not
this time. It went well enough that I felt I didn't need to go over
it with another pencil.
The final drawing. Not much different from the sketch, other than
the giraffe now has an expression on its face. The sketch giraffe
was too angelic, too bland.
Here
the application of water-based
dyes serves as the underpainting for the colored pencils.
The
colored pencil stage...where most of the work is done.
During
this final stage of painting with acrylics, I added the whites
and yellow-whites to help define forms and to punch up the highlights.